CKH:MOD Directive 2025
Direction

I direct to create elevated, emotionally resonant visual experiences that live at the intersection of art, story, and design. From ideation to completion. My vision as a director is rooted in the language of cinematic precision — refined over years directing global commercial campaigns, branded content, motion graphics, titles, sports packages and narrative work for some of the most design-forward companies in tv, film, commercials, fashion, automotive, and tech.
Now, I’m evolving that foundation — blending live-action, VFX, AI, and real-time tools. A Director that can ideate and create working directly with clients for initial briefs / concept / shoot / creative / post / to completion. Furthering by directing teams working simultaneously with clients on a global scale.
Whether I’m shaping surreal under water moments, a brand’s essence, or a character’s silent breaking point, my work aims to hit on frequencies deeper than just visual style — designed to move people, imprint memory, and signal the next mode of storytelling. Working through every level of professional pipelines, I showcase this creative, and communicate it directly with clients to solving their challenges, promote inspiring collaboration experiences, and invoke future ideas.
My AI filmmaking is rooted in a deep understanding of cinematic language, visual storytelling, and post-production craft. Blending live-action sensibilities with advanced generative tools, this process treats AI not as a shortcut, but as a collaborative medium — one that demands the same attention to detail as traditional filmmaking.
Every project begins with core narrative intent, mood, and visual tone. Using tools like Runway, Midjourney, and ComfyUi, this helps create original sequences that are framed, manually edited, and directed with the eye of a live-action filmmaker. The results are not randomly generated — they are iterated, refined, and composited in post, much like traditional visual effects workflows.
My background in live-action direction, branded content, and experiential installations informs a rigorous design language. AI becomes a powerful tool in the development pipeline — offering a rapid ideation process, immersive previsualization, and ultimately one-of-a-kind visuals that can’t be captured with traditional production alone.
“I don’t see AI as an end-product — I see it as a stage in the creative lifecycle. It allows me to pitch the impossible and execute the unfilmable.”
From speculative film concepts to hybrid editorial pieces, my work maintains creative control, aesthetic authorship, and technical discipline — pushing AI not just as a tool of automation, but one of intentional artistry.